Oscar Bluemner
The Color of Modernism: The American Fauves examines the American Modernists who studied directly under Matisse, and the successive artists who adopted the new liberation of color expounded by the French Fauves.
Morgan Russell (1886-1953)
Etude d'Après Matisse, 1909-1911
Oil on board, 13 1/2 x 17 1/4 inches
Inscribed verso: "Etude d'Apres Matisse/This is a Morgan/Russell/Suzanne Russell"
NFS
Charles Sheeler (1883-1965)
The Waterfall, 1911
Oil on canvas, 14 x 11 3/4 inches
Signed and dated lower right: "Sheeler 1911"
NFS
Anne Estelle Rice (1877-1959)
Le Bouquet, circa 1910-11
Oil on canvas, 30 x 30 inches
Signed verso: "Anne Estelle Rice"
NFS
William E. Schumacher (1870-1931)
Floral Landscape, 1916
Oil on canvas, 42 x 25 inches
Signed lower left: “Schumacher Wm E.”
NFS
Alfred H. Maurer (1868-1932)
Buste de Femme, circa 1910
Oil and tempera on board, 18 x 15 inches
Signed lower left: "A. H. Maurer"
NFS
Stuart Davis (1892-1964)
Bowsprit, 1916
Oil on canvas, 23 3/4 x 19 inches
Signed and dated lower left: "Stuart Davis 1916"
NFS
Konrad Cramer (1888-1963)
Boat in River, circa 1911
Gouache on paper, 11 x 9 1/2 inches
Signed lower right: “CK”
NFS
Middleton Manigault (1887-1922)
Across the Park, 1910
Oil on canvas, 12 1/8 x 15 inches
Signed lower right: "Manigault" / Dated lower left: "1910"
NFS
Manierre Dawson (1887-1969)
Urns, 1911
Oil on canvas, 18 1/2 x 23 1/8 inches
Signed lower left: "M. Dawson"
NFS
The Color of Modernism: The American Fauves examines the American Modernists who studied directly under Matisse, and the successive artists who adopted the new liberation of color expounded by the French Fauves.
